SYNTAX OF DOUBT

My practice is an attempt to develop a Language for describing inner states, with Doubt as its central condition. I do not work with objects as such, but with their resonances within me—with the shifts of feeling and meaning that arise in the act of looking. While my photographs do not propose documentation or the fixing of reality, the refusal of staging and the commitment to minimal intervention remain fundamental to my approach. This is not an ascetic position, but a Grammar through which authenticity can emerge.

Within this system, each photograph exists as a Word—a complete unit of affect that comes into being here and now: longing, solitude, anticipation. Objects within the frame shed their literal function and become visual allegories, where meaning is not imposed but arises from the coincidence of gaze and inner state.

My aim is Syntax. Not the isolated image, but coherent speech. By arranging photographs into sequences, I construct sentences and scenarios in which images enter into dialogue—amplifying, interrupting, or contradicting one another—forming a space in which Doubt unfolds as an ongoing process.